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Title
Formation of musical identity through the teacher's perspective
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SourceMalmberg, Isolde [Hrsg.]; Petrović, Milena [Hrsg.]: Music & meaning. Rum / Innsbruck : HELBLING 2024, S. 227-246. - (European perspectives on music education; 12)
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Keywords (German)
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Document typeArticle (from a serial)
ISBN978-3-7113-0530-5; 9783711305305
LanguageEnglish
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review statusPeer-Reviewed
Abstract (English):The two authors discuss the dynamics of musical self-concepts that affect musical learning, and, consequently, the creation of musical identity. Semi-structured interviews for the active instrument/singing teachers (n = 10) gathered information on their perception of musical selves. Results show that the choice of musical instrument, practising musical roles, the development of musical selves, and the role of instrument/singing teachers as co-creators of musical self-concepts, all have a great influence on musical self-concepts and musical identity formation. Also, adjustments to music teaching that meets students' self-concepts, reflections of teacher's musical identity on teaching style and, finally, modifications to teachers' identity concepts in maturity, come together to produce teachers' and students' musical self-concepts interaction. This article is part of the anthology European Perspectives on Music Education, Volume 12, titled Music & Meaning, in which an international group of authors explores how music acquires meaning. (DIPF/Verlag)
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is part of:Music & meaning
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Date of publication01.08.2025
CitationŠimunovič, Natalija; Habe, Katarina: Formation of musical identity through the teacher's perspective - In: Malmberg, Isolde [Hrsg.]; Petrović, Milena [Hrsg.]: Music & meaning. Rum / Innsbruck : HELBLING 2024, S. 227-246. - (European perspectives on music education; 12) - URN: urn:nbn:de:0111-pedocs-329821 - DOI: 10.25656/01:32982
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