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Title
Why composing matters for disadvantaged young people
Authors
SourceMalmberg, Isolde [Hrsg.]; Petrović, Milena [Hrsg.]: Music & meaning. Rum / Innsbruck : HELBLING 2024, S. 179-192. - (European perspectives on music education; 12)
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Document typeArticle (from a serial)
ISBN978-3-7113-0530-5; 9783711305305
LanguageEnglish
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review statusPeer-Reviewed
Abstract (English):The section Music Education as a Social and Cultural Transformer is opened by two authors who are highly experienced in composing with groups. This time they concentrate on the question of how it will be possible for all young people - regardless of their social or music-related background - to be able to participate in music creation. They show that traditional approaches to teaching composition can make participation for children from disadvantaged backgrounds more challenging. By contrast, they opt to work with the young people in a collegiate, cooperative, and purposeful manner. Such an approach is based on discussion and musical interchange, enabling young people to give voice to their own decision-making, facilitating both personal and collective agency. This article is part of the anthology European Perspectives on Music Education, Volume 12, titled Music & Meaning, in which an international group of authors explores how music acquires meaning. (DIPF/Verlag)
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is part of:Music & meaning
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Date of publication01.08.2025
CitationAnderson, Anthony; Fautley, Martin: Why composing matters for disadvantaged young people - In: Malmberg, Isolde [Hrsg.]; Petrović, Milena [Hrsg.]: Music & meaning. Rum / Innsbruck : HELBLING 2024, S. 179-192. - (European perspectives on music education; 12) - URN: urn:nbn:de:0111-pedocs-329797 - DOI: 10.25656/01:32979
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